Most Popular

  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • Bless Us, Oh Lard
    Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
  • The Man Who Would Be King
    Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
  • For Whom the Bell Tolls
    Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
  • Sexy Town
    Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Annabelle Massey Helber

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Open House

Yellow House Gallery

By Annabelle Massey Helber

Published on January 04, 2001

You have to wonder what's going on at Fort Worth's Yellow House Gallery, a recently expanded art space tucked into the light industrial no-man's-land between West Lancaster Avenue and West 7th Street. Michaele Ann Harper opened Yellow House in 1996, but before the expansion it was hard to believe she was very serious about art. Sure, she named her space after Van Gogh's famous abode and refers to the art legend simply as "Vincent," but the gallery and studios where Harper teaches used to be a study in clutter. Every wall, pedestal, and corner, plus much of the floor space, is covered with all kinds of art.

Yellow House is a far cry from the pristine white spaces with carefully configured exhibitions that local gallerygoers are used to. It's a big mess, but it's more approachable and less intimidating than more well-known Dallas or Fort Worth galleries, and so is its owner. She's chosen to be serious about art in her own way, and her unique venue welcomes browsers, collectors, and people walking the streets of the cultural district. She showcases artists of all levels--untried wannabes, her own painting and drawing students, and established professionals alike--and she sells work at very reasonable prices. There's absolutely no telling what you'll find here. Appearances can be deceiving.

Yellow House has been closed for a couple of months while Harper added a new classroom, where a new slate of art classes for every level of student begins in February. On view during the upcoming reopening are paintings and photographs by artists from Texas, Louisiana, Tennessee, Kentucky, and Maryland, and Harper's highlighted artist for the event is George Greeves, a British photographer who is showing images of the fishing fleet based in his native Hastings, England. If it's too tidy, which we doubt, ask Harper to mess it up again real soon. Tell her you appreciate what she's trying to do for local art lovers.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com