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Swingtown
Local swingers think life is a bowl of cherries, but Duncanville wants to spit out the Pit
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Un-Super Size Me: One Week of Eating Local
One mans attempt at slow food living in the Dallas metroplex
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Toll You So
The Trinity River Project should be floating right along. Instead it's sinking under the weight of its own folly.
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Six Pac
The Cowboys are counting on NFL outlaw Pacman Jones to pop the top on their sixth Super Bowl.
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Seeing a Ghost
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Behind the Curtains
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Another Matter Entirely
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Dirty Talk
Twenty years later, the godfathers of grunge in Mudhoney still remember their roots
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Pet Peeves
The Beach Boys are popping up everywhere this year in music but don't seem to be getting their due
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Sondre Lerche
Two Way Monologue (Astralwerks)
Published on March 25, 2004
Sondre Lerche's songs live in a world with Nick Drake's pink moons and the Flaming Lips' pink robots, where maladies have melodies and modern rock is just an ugly rumor. In Lerche's world, Highway to Heaven reruns are, apparently, still a big deal (check the title track's shout-out to "Michael Landon's grace") and the Beach Boys' barbershop ba-ba-bas never went out of style ("Wet Ground" and "Counter Spark" have plenty of pet sounds). It's a land where George is a bigger deal than John and Paul (and Ringo--but that goes without saying) and, occasionally, you have to use your second language to woo your first love. Which means you get weird wordplay ("When tears are pretzels pouring down each time/The sweetness is returning") and perfect poetry ("I take it you are afraid of everything I am and of some things I am not/A fear I share before I go to bed") in the same four minutes ("Track You Down"). But you also get an innocence that is so rare it's not even listed as an endangered species anymore. Evidently, Lerche's world is located somewhere in Norway, but it would like to keep an apartment in your heart. If you'll let it.