Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles by Mikael Wood
Moonswept (429 Records)
Monday, May 14, at the Granada Theater
Friday, February 2, at the Palladium Ballroom
The Hidden Cameras play Polyphonic Spree-esque church rock, with a naughty twist
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Rock Against Bush Vol. 1 (Fat Wreck Chords)
Published on April 29, 2004
Who knew Gavin Rossdale inspired such animosity within the punk community? Sure, Bush's flashy grunge fluff refigured Kurt Cobain's hard-won angst into product for junior high mall stalkers, and, yeah, getting militant noisenik Steve Albini to produce 1996's Razorblade Suitcase was kind of a coup. But 26 tracks dedicated to their dismissal? Talk about teen spirit. Um, ha ha. The real question this anti-Dubya compilation asks is: When was the last time the Get Up Kids and Ministry rubbed elbows? Here the Kids improve on the wan emo-rock they've been making lately with "Lion and the Lamb," a pretty little plea for peace with room for both slashing guitars and tinkling pianos; two tracks later, Al Jourgensen observes that "half the world is down the toilet" over grinding synth-metal that proves it. And how do the Descendents not suck yet? Their "Sad State of Affairs" is a satisfying blast of taut pop-punk with skank in its step and compelling ambivalence in its spiel; it's followed by Authority Zero's younger, dumber "Revolution." Elsewhere, (relative) variety rules: Against Me!'s punkabilly blues, Strike Anywhere's clean-cut hardcore, the Ataris' acoustic pop, Denali's post-Portishead art-rock. All that's missing? Gavin Rossdale's hunky yelp.