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    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Blue October and Jay Quinn

Saturday, September 10

By Shannon Sutlief

Published on September 09, 2004

Blue October is about a decade late. The Houston band now signed to Brando/Universal Records would have been a perfect match with the mid-'90s (fleeting) success of Better Than Ezra and Deep Blue Something, their brothers in white, college-age, men-unafraid-to-show-their-emotions rock. In fact, Blue October's hit, "Calling You," is this year's "Breakfast at Tiffany's." It's radio-friendly and inoffensive. It rocks enough for The Edge but is tame enough for MIX 102.9. And its lyrics, an earnest outpouring of emotion for a faraway love, finds the soft spot in frat boys, soccer moms and girls in studded chokers alike. And, also like "Breakfast at Tiffany's," it doesn't reflect the rest of the band's sound, live or on the album. Which means they'll probably play "the hit" last in order to keep the beer flowing.