Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
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Devotchka
How It Ends (Cicero)
Published on December 16, 2004
There is a great but untrue story of pre-Clash Joe Strummer going into a bar and spotting Graham Parker. Strummer says he saw the Sex Pistols a week before. Asked what he thought of the band, Strummer replies, "Whole new thing, man."
Hearing Devotchka provides the same exhilarating rush of discovery. This Arizona foursome is fronted by a Ukrainian who reportedly escaped from a Mexican rehab facility (he sings in four languages) and features such unique instrumentation as bouzouki, tuba, bowed vides, glockenspiel and tenor triangle. How It Ends is, of all things, gothic country and western with the emphasis on western. Cuts like "26 Temptations" and "We're Leaving" come across as a beautiful union of Marty Robbins and the Cure. With a voice equal parts Ian McCullough and Roy Orbison, Nick Urata literally wails over this lonely (and lovely) collection of downbeat folk songs. Slightly resembling other desert dwellers Giant Sand and Calexico, Devotchka is nonetheless totally unique. Sometimes originality is either brushed off as novelty or discarded as unlistenable, but in the case of How It Ends, it is praise of the highest order.