Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Line 'Em Up
The Black Rebel Motorcycle Club vrooms into Deep Ellum, sparking hope in a new venue's owners
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Welcome Back, Curtis
The Secret Machines return to Dallas minus a Curtis brother—but still with plenty of confidence, nonetheless
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Recent Articles
Recent Articles by Lily Moayeri
Mentor Tormentor (Majordomo Records)
Arular (XL/Beggars US)
Push the Button (Astralwerks/EMD)
Chain Gang of Love (Columbia)
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Chemical Brothers
Push the Button (Astralwerks/EMD)
Published on February 03, 2005
The great thing about technology is its power to combine all the kinds of music you like into one cohesive song. Uncannily, the Chemical Brothers have accomplished this feat repeatedly, building around a genuine pop structure and cleverly managing to make a loop feel like a song, as on "Block-Rockin' Beats." On their fifth full-length, Push the Button, though, they seem to be merely, well, pushing buttons. Aside from album opener "Galvanize," a mind-bending Middle Eastern loop featuring Q-Tip that stuns with its sheer force, most of these tunes go backward rather than forward. At times the Chems channel the Stone Roses ("Marvo Ging") with a psychedelic twist; on "The Big Jump," Metallica's "For Whom the Bell Tolls" is decoded robot-style. But overall, though Push the Button retains its creators' danceability, that extra Chemical genius is sounding decidedly digital.