Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Son Volt
Okemah and the Melody of Riot (Transmit Sounds)
Published on July 14, 2005
Back in 1996, every mutton-chopped songwriter with a rhyming dictionary wanted to be Jay Farrar. These days, most of them would be happy if Farrar would just be himself and go back to rocking like Neil Young's bastard son. After two mysterious solo albums filled with abstract instrumentals and Eastern tunings, Farrar has returned to the Son Volt moniker to reward his faithful, and Okemah and the Melody of Riot sees Farrar stepping back into the cowpunk dust storm Jeff Tweedy helped him kick up 15 years ago in Uncle Tupelo. The anti-Bush anthem "Jet Pilot" rewrites Gil Scott Heron with a Crazy Horse-stomp, while the chorus of "Atmosphere" reaches for the melodic heavens occupied by Farrar's old buddies the Jayhawks. While his new band doesn't quite have the chemistry of his Trace-era lineup, he did pick some good ringers, borrowing from the bands of fellow songwriters Ryan Adams and Richard Buckner. Farrar's sheepish stage presence might fool some fans, but Okemah is a fine reminder that he can still roar like a lion.