Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Cole Haddon
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Two Gallants
Tuesday, April 11, at Rubber Gloves
Published on April 06, 2006
Two Gallants' second album What the Toll Tells opens with a robust and bluesy foot-stomper a la Jack White's most infectious work called "Las Cruces Jail." While this two-piece band out of San Francisco share some of the Stripes' spare, lo-fi sound, they consistently get right what the Stripes like to get wrong. For one, Tyson Vogel's drums are not just clunky groundwork (like Meg's) that singer Adam Stephens' guitars and lyrics are built upon, but are, in fact, a crucial and emotive element of orchestrations that often drift past eight minutes. These epic-length numbers work so well because of Stephens' sometimes whispered, occasionally spoken and often howled narrative passages that, in their folk-tinged Americana, bear the holy stamp of Saint Dylan and actually originate ideas rather than regurgitate other musicians' like a certain Detroiter we all know.