Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Darryl Smyers
Tuesday, July 22, at House of Blues
Saturday, July 19, at House of Blues' Pontiac Garage
Even after so many years and so many bands, Todd Rundgren keeps doing things his way
Saturday, July 12, at House of Blues
Fleet Foxes' successful sound depends on slowing things down
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What Made Milwaukee Famous, The Lord Henry
Thursday, July 6, at Gypsy Tea Room's "Tea Room"
Published on July 06, 2006
Taking their name from Jerry Lee Lewis' best country song, one might wrongly assume Austin's What Made Milwaukee Famous would fall squarely into the alt-country camp. Instead, this quirky quartet draws inspiration from sources as diverse as Television, Jeff Buckley and the Cars while still remaining contemporarily stylish in a Death Cab for Cutie/Arcade Fire kind of way. Their debut, Trying to Never Catch Up, is full of impressive hooks that walk the tricky line between challenging and comprehensible, and singer Michael Kingcaid gets extra kudos for somehow managing to sound gloomy and welcoming. Currently receiving the kind of overhyped online and in-print buzz that can raise a dubious eyebrow or two, WMMF are, nonetheless, worthy of praise for shifting the typically sunny Austinite disposition toward a definitely darker path.