Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Camera Obscura
Let's Get Out of This Country (Merge)
Published on July 13, 2006
On Camera Obscura's third album, Tracyanne Campbell's songs have propelled the Scottish outfit from a lesser-known Belle and Sebastian mimeograph to a full-blown pop consortium of its own. Let's Get Out of This Country nods to other artists musically, from George Harrison to the Supremes to the Concretes, but lyrically the heartbreak is all Campbell. The late, great Radio 1 legend John Peel championed the band seemingly from the get-go, offering Camera Obscura the opportunity to play their blend of twee, singer-songwriter gutwrench and Target commercial soundtrack for a number of his special concerts. The Glasgow outfit pulled off tight, energetic live shows that now breathe even more charming fire into single "Lloyd, I'm Ready to Be Heartbroken" (a lush mid-tempo romp with vocals recalling the demure Tonya Donnelly and the harmonies of Veruca Salt) and other songs like "Tears for Affairs" (which may have been "My Sweet Lord" in a past life). The real power of Camera Obscura lies in the band's two-faced approach--poppy, catchy and confident songs that sucker-punch your heart if you listen too closely.