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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Morning Wood
My Morning Jacket is the best live band in the world
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They Shall Be Comforted
Friends and faith buoy the family of a slain Christian music producer
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Reckless Kelly
Friday, October 6, at the Granada Theater
Published on October 05, 2006
If Reckless Kelly were a transmission, it would be a five-speed. The Austin quintet's latest effort, Wicked Twisted Road, captures its music in all gears, from the quiet, low-gear country folk of the title track to lilting second-gear love-song ballads, from drunk-and-stumble alt-country Irish travelogues to off-the-speedometer Allman Brothers rumblers and nasty white-boy overdrive blues-rockers. Songwriting has always been a Reckless forte, and front man Willie Braun and his co-writing friends and relatives have once again hit the lyrical bull's-eye with lines such as these: "My first love was a wicked twisted road/Hit the million-mile mark at 17 years old" (from "Wicked"). The album takes the long view of the band's catalog, showcasing the wide range of styles employed in both its recorded work and its live presentations; tracks such as "Sixgun" and "Wretched Again" illustrate the increasingly loud and hard-rocking direction the group is taking onstage. Call it alt-country if you want, but most of it is way too muscular to fit neatly into that niche.