Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Gwen Stefani
The Great Escape (Interscope)
Published on December 21, 2006
Gwen Stefani's shtick has come to embody an entire female generation's attitude toward good times and spending money. Simply check out The Sweet Escape highlight reel: "Breakin' Up" is a possible transcript of a customer-service call with Verizon. Both "Yummy" and the lead single "Wind It Up" speak to the joys of clubbing (with the latter sampling The Sound of Music). And if there's anyone out there who still can't relate to cell phones, club culture and two-ways, the slinky manifesto "Orange County Girl," wherein Gwen admits to once "selling makeup at the mall," should do the trick.
Produced by a host of big names including the Neptunes, Akon and No Doubt's Tony Kanal, the tracks re-wed marching bands and videogames (if it ain't broke, make Breakin' 2). When Gwen does step out of the club for winsome tunes such as "Early Winter" and "Wonderful Life," things approach enjoyable in a Euro-pop kind of way. But ultimately she's doing Like a Virgin: The Musical, replacing Madonna's uncomfortable Catholic guilt with lines such as "I'm so luscious I ache." This is our reward for living in a world where fierce allegiances are forged over a nice pair of shoes.