Most Popular

  • DISD In the Hole
    Teachers get axed and parents fret as Dallas' school leaders scramble to cover a budget hole
  • Polygamy and Me
    Seven months have passed since the polygamist raid in Eldorado, but for one mainstream Mormon, the effects linger
  • Beer Is Good
    Texas law stifles state's craft brewers
  • How To Piss Off A Member Of Weezer
    Brian Bell isn't so hot on comparisons between past Weezer records and the latest
  • DISD's Confederacy of Jerks
    Extremely pushy parents—Latino, black and Anglo—must rise up to save DISD from itself

Recent Articles

Recent Articles by Niki D'Andrea

National Features >

  • SF Weekly

    Pinot Bizarre

    You won't believe the California wine industry's latest new-age craze.

    By Joe Eskenazi

  • Westword

    The Snowboard Bandits

    They lived for excitement, but the FBI got the final thrill.

    By Joel Warner

  • Seattle Weekly

    "Trash Fish"

    Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.

    By Laura Onstot

  • Village Voice

    The Transformation of Mike Bloomberg

    How a benevolent billionaire mayor ended up owning us all.

    By Wayne Barrett

Blast Beats, Dark Harmonies and Monstrous Melodies

Continued from page 1

Published on December 27, 2006 at 4:43pm

Goatwhore
A Haunting Curse (Metal Blade)

This New Orleans quartet manages to stay faithful to a traditional black metal style while adding ambient elements to its songs. Prime examples here are the songs "Alchemy of the Black Sun Cult," which combines mid-tempo grooves with sadistic riffs, and "In the Narrow Confines of Defilement," which employs trippy bridges over a relentless drum beat. Singers Sammy Duet and Louis Benjamin Falgoust II have toned down their usual high-pitched screams and opted for more howling and rasping here (the title track contains some particularly vicious vocals), and ex-Morbid Angel guitarist Erik Rutan's production is immaculate.

Cretin
Freakery (Relapse)

This entire album consists of songs which tell sensationalized tales of deformed/mentally handicapped people from isolated rural communities who do things like kidnap babies and raise them as feral animals, drag young girls into vans and climax while shocking them with Tasers, etc. As the CD booklet declares, "The stories in this album are mostly true...we are everywhere." Now, in the time it takes to say "gimmick," it also becomes clear that Cretin brings rickety punk energy to its grindcore. That's no small feat, considering that Cretin forgoes precision altogether for a slurring, repetitive approach that sounds like you're listening from inside a nearby garbage can, but it still manages to hold your interest. With two alums from gore-grinders Exhumed and such gleefully graphic lyrics, you'd think that Cretin would overplay the shock hand. With some wit up its sleeve, however, the band comes up with a rousing work of comedy-horror.

« Previous Page   1   2

Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com