Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Dan Leroy
Wednesday, December 5, and Thursday, December 6, at Nokia Theatre, Grand Prairie
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Because of You (Def Jam)
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Mary J. Blige
Reflections—A Retrospective (Geffen)
Published on January 11, 2007
A greatest-hits album from Mary J. Blige presents more problems than you'd expect. For one thing, very few memorable singles exist between her first huge single—1992's sublime "Real Love," which anointed Blige the Queen of Hip-Hop Soul—and her latest, last year's "Be Without You." Like many great singers, Blige depends on the melodic invention of others, and the R&B she's been given over the years is solid but seldom inspired.
Of the four new tracks included with this package, "We Ride (I See the Future)" stands out. Its graceful piano runs offer relief from the two-chord vamp common to Blige's oeuvre, while the tune's opening declaration—"Everybody askin' why Mary ain't mad no more/Seems like a question I've already answered, too many times before"—provides the real argument against this retrospective. Mary has never been about just hits; it's her rags-to-riches-to-respect backstory that ultimately captivates the fans. That's a point you can more fully appreciate after seeing Blige's gospel-fueled live show, a cathartic explosion of joy and pain that's as much about affirmation as music. Put simply: Her life is her art, with no best-of necessary.