Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by AUSTIN POWELL
Harry and the Potters are here to school you
Friday, June 8, at Hailey's, Denton
Sunday, May 27, at Hailey's
Friday, May 25, at Rubber Gloves
Friday, May 18, at Hailey's, Denton
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Pretty Girls Make Graves, Moros Eros, The Moonrats
Sunday, May 27, at Hailey's
Published on May 24, 2007
After five years and a handful of releases, Seattle's Pretty Girls Make Graves is no more. The young dance-rock group ended things on amicable terms following the departure of drummer Nick Dewitt. The group's 22-city funeral procession is reason to celebrate and cherish the youthful exuberance of the quintet's cathartic live performances. The band would like to be remembered through their brief but bountiful musical output. Their third full-length, last year's Élan Vital, the first to include Leona Marrs on keyboards and vocals, was a slick and succulent affair, a deadly blend of rigid guitar riffs and emotive anthems. Pretty Girls Make Graves were the offspring of numerous bands, including Murder City Devils, Bee Hive Vaults and Kill Sadie. They are survived by the rustic and meditative folk of the Cave Singers, the latest project from bassist Derek Fudesco, and a thousand like-minded acts such as Georgia's Moros Eros, who will open in support of their debut, I Saw the Devil Last Night and Now the Sun Shines Bright, and L.A./Seattle indie upstart the Moonrats. Rest in peace.