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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
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Sexy Town
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The Best Albums of 2008, So Far...
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Michael Gallucci
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Shotter's Nation (Astralwerks)
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Babyshambles
Shotter's Nation (Astralwerks)
Published on November 29, 2007
In his spare time, when he's not dodging jail sentences or fighting with his supermodel girlfriends, habitual drug abuser Pete Doherty makes music. But he really hasn't recorded anything worth listening to since the Libertines completed their second album three years ago—right around the time Doherty's life fell into the crapper. Down in Albion, the 2005 CD he made with his new band, Babyshambles, sounded like it was put together between rehab stints. But Shotter's Nation is a more cohesive and solid listen—even if it pretty much amounts to his one-sided view of drugs, fame and music. But there's plenty of three-minute Britpop here that sparks with genuine melody, danger and excitement. You can't listen to Nation without hearing about Doherty's past three years—the law, the press and former squeeze Kate Moss are all targets of his toxic words. In "UnBiloTitled," he even manages to spray all three: "You think that you own me/Why don't you fuck off?" Doherty remains nostalgic for a past he was never part of. He still loves everything about the '60s: Kinks-style riffs, free love and, of course, the awesome drugs.