Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Morning Wood
My Morning Jacket is the best live band in the world
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They Shall Be Comforted
Friends and faith buoy the family of a slain Christian music producer
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Drew Glackin Memorial Show With Brent Best, Scott Danbom and Matt Pence
Wednesday, February 13, at Dan's Silverleaf
Published on February 07, 2008
Drew Glackin was an obscure bass player for an obscure alt-country band from New York. A few weeks back, though, he passed away suddenly due to complications from an overactive thyroid. He was 45. The fact that Dan's Silverleaf is throwing this memorial show should tell you a lot about the influence of his band, The Silos. Led by singer-songwriter Walter Salas-Humera, some form of The Silos has been around for more than two decades, releasing landmark recordings (such as Cuba and Susan Across the Ocean) to critical acclaim but little popular response. Glackin was part of a resuscitated Silos, a trimmed-down power trio that surfaced around 2000. The recordings the band made with Glackin were more straightforward presentations of rock and country, offering few of the subtleties that defined The Silos' best work. Nevertheless, latter releases such as Laser Beam Next Door and 2007's Come On Like the Fast Lane featured Glackin's fluid bass work and unheralded harmony vocals. A trio of locals—Brent Best, Scott Danbom and Matt Pence—gather this night in tribute to Glackin, memorializing someone from the margins who, like most, deserved more time than he was allowed.