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Recent Articles By Pete Freedman

National Features

Before we get too deep into our budding relationship, Dallas—me being your new music editor here at the Observer and all—and before I start telling you guys just how much of a must-see Local Act A is or just how much tighter Local Act B would be if it took more/less guitar work cues from National Act C, there's something you should know.

For the past, oh, I don't know, two months or so, I've been stalking you and your scene. Stalking you long and stalking you hard—like I was 45 and balding, like you were barely legal and coming into your own, and like we both had MySpace accounts.

So, yeah, it sounds creepy. But in the world of journalism, we call it "research." And, y'know, I had to do it.

See, I'll be the first to admit that I'm not incredibly familiar, at this point, with your city and its musical history/climate. I have my reasons—not being from around here being the most glaring and obvious—so I did what I could to learn on ya. And learn I did; the Internet's truly an amazing place when you're not just using it to scam free song downloads off of elbo.ws and Hype Machine.

I picked up tidbits on your scene here and there, taking what I could from Observer articles and blog postings on WeShotJR, FineLineLive, GorillaVSBear and the like. I read your Deep Ellum sob stories. I heard your gripes on the lack of Denton scene coverage. I learned about the new Fort Worth venue developments. I took note of it all. And I found some real gems while perusing area MySpace band pages.

Baboon? Big fan.

Black Tie Dynasty? Not hard to see why they're a big draw 'round these parts.

Sarah Jaffe? More, please.

My overall thoughts on the Dallas crop of musicians before I got here? Very high.

Indeed, from afar, your scene proved quite intriguing. So did you. It's obvious that you're proud of your scene—and for good reason. You seem to have a real sense of ownership when it comes to your local products. That's good. Real good.

Of course, y'know, that can be bad too. From afar, it looked like you were practically tripping over your own pride, Dallas: You love your Badus, Vincents and Sprees, sure, but you hate the fact that you're not getting credit for them in any national forums. That's fine, completely understandable. But—again, from afar—it looked like it jaded you a bit. It looked like you gave too much credit to your local indie acts and hated on your local radio-friendly set for taking cues from national products. Hardly a condemnation—Hell, I still agreed to take the job, didn't I?—just an observation from a computer 12-plus hours of drive-time away.

Given all that, I knew I'd have to wait to see this town in action before I started to pass judgment. That was the no-spin, fair-and-balanced way to go.

So when I arrived in town around midnight a few Saturdays back, after a hella boring drive from Colorado Springs, I figured I had to start my in-person sleuthing immediately. Minutes after checking into my just-this-side-of-rinky-dink temporary residence on LBJ Freeway and sidestepping the likely hooker and apparent John patiently awaiting check-in behind me at the front desk, I went right out to see a show—which I also did two nights later, and two nights after that, and the night after that, and so on and so on. You get the idea.

What I found didn't really surprise me so much as it kind of caught me off-guard. Maybe I was just reeling from moving to a new city and a new state, finding a new apartment and setting up my utilities and whatnot (in case you didn't already know, the hold music over at TXU and Time Warner utterly blows) and the whole starting a new job thing we've already discussed, but my absolute first impression? There's a whole lot going on around here. I caught eight shows in my first two weeks in town despite being bogged down by mindless, annoying new-to-town errands, and I still felt like I was missing out. I probably was; Dallas certainly isn't lacking a variety of shows to take in on a given night, that's for damn sure. The venues, meanwhile? Kickass. The Granada's freakin' dope, the Double Wide's bringin' it with intimacy, The Cavern's got a cozy charm and Sloppyworld's just oozin' with potench.

Write Your Comment show comments (10)
  1. Welcome to the circus, kiddo. Let the games begin!

    PS-I still owe you a beer...or ten.

  2. Welcome to the circus, kiddo. Let the games begin!

    PS-I still owe you a beer...or ten.

  3. what a douche

  4. If that blog is any indication, you're gonna do just fine around here.
    Good luck man.

  5. Good to have you on board. Fancy a coffeehouse show this Friday?:

    http://thematthewshow.com/calendar.html

    Yes, I am a shameless huckster.

  6. Our "scene" ain't the best and it ain't the worst. But it is good enough that most of what I listen to in my car is almost all local act cds. And I have alot of cds in my car.

  7. scene scene scene. whats funny is i never hear any musicians or bands complain about a "scene" one way or another. they just do what they do.

  8. I have to ask - who exactly is his target audience? The scenesters moping around the Granada, Dallas' most "dope" club? I appreciate his candor in admitting to know little about our town; I was disappointed to waste my time reading what he learned, which is the equivalent to my local scene knowledge when I was still in high school. As a Dallas native my entire life, I know that the music scene is not always the easiest to find and even when you do, there's a lot of shit to sift through, but that is his job. He talks of bitching about coverage of Denton, but offers none of his own. I reiterate: disappointing.

  9. When did name dropping become a decent form of journalism?

    Dallas scene sucks and everyone in it knows it. They do what they can to have fun. There isn't always something going on like you mentioned, it's always the same thing with the same people.

    I like what someone commented on- theres many scenes in Dallas, who's your audience?

    Next time I guess do your research on the band names and the city itself. Because unless your audience is the douchebags The Observer always hates on I don't think your article was a success. By the way Dallas is a psuedo L.A.

  10. Welcome, Damn it!

    It's great that you've busted your ass to become familiar with Dallas acts.

    It alarms me however, that you think the Dallas music scene is "good"... or that we even have a "scene" worth talking about.

    As a frequently gigging musician from Dallas, living in Dallas–
    Dallas is actually my least favorite place to gig.

    Its not that there isn't great talent here... it's just that the demographics are all wrong. There is no public interest for live music in Dallas. There are a lot of people willing and able to play good music, and a whole lot more people (1.2 million) who'd rather go to a "wine bar" on their night off.

    To make matters worse, many people travel in flocks to watch the lovely tribute bands that Dallas is all too inundated with. People here are lazy... and mostly old. If they haven't heard it before, they don't care– hence the great success of the tribute bands. (which says a lot about the musical taste/intelligence of the area...)

    Anyway, I wish you luck, but I hope that you'll highlight not only the good things about Dallas music, but the bad as well. Be honest with us. We can take it. You don't have to patronize us for the sake of our shitty music scene.

    Oh... and another thing... Denton's music scene does in fact make Dallas look like a pile of shit. So does Austin's. Any musician who has played Texas, and actually enjoys live human beings at their show will tell you that THOSE are the scenes you should be researching and comparing us to.... NOT COLORADO SPRINGS!!!

    Research on! Go see a GOOD music scene before you say Dallas's is good, or you'll simply confirm to me you don't know what you're talking about.

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