Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Big Red Rooster, Psycho Blues, The Ropes, Braker Lane
Thursday, March 6, at The Aardvark, Fort Worth
Published on March 06, 2008
Judging by the overproduced songs on their Cry to the Beat EP, New York's The Ropes play the kind of polished, electronica-tinged pop rock that 10 years ago would have had them written off as a Garbage clone. But Sharon Shy's strong songwriting may help them avoid becoming the next Republica. A song that starts with "You can all go fuck yourselves/You can all go burn in hell" ("I Don't Like to Get Dirty") certainly grabs my attention, at least, and gets even better as she claims "The only reason I haven't put myself in the ground already/Is I don't like to get dirty." It's the catchiest song about helpless depression I've heard in quite some time. They're scheduled to go on at 9 p.m. and are probably the only act worth catching in this schizophrenic lineup.
I have no idea, though, what they are imagined to have in common with local act Big Red Rooster, which has tried to buy street-cred for its generic rap-rock by hiring Slim Thug to spit a few bars on "How You Like That," then doing everything possible to obscure the fact that he's not in the band.