Most Popular

  • DISD In the Hole
    Teachers get axed and parents fret as Dallas' school leaders scramble to cover a budget hole
  • Polygamy and Me
    Seven months have passed since the polygamist raid in Eldorado, but for one mainstream Mormon, the effects linger
  • Beer Is Good
    Texas law stifles state's craft brewers
  • How To Piss Off A Member Of Weezer
    Brian Bell isn't so hot on comparisons between past Weezer records and the latest
  • DISD's Confederacy of Jerks
    Extremely pushy parents—Latino, black and Anglo—must rise up to save DISD from itself

Recent Articles

Recent Articles by Jesse Hughey

National Features >

  • SF Weekly

    Pinot Bizarre

    You won't believe the California wine industry's latest new-age craze.

    By Joe Eskenazi

  • Westword

    The Snowboard Bandits

    They lived for excitement, but the FBI got the final thrill.

    By Joel Warner

  • Seattle Weekly

    "Trash Fish"

    Chuck Bundrant build an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.

    By Laura Onstot

  • Village Voice

    The Transformation of Mike Bloomberg

    How a benevolent billionaire mayor ended up owning us all.

    By Wayne Barrett

Big Red Rooster, Psycho Blues, The Ropes, Braker Lane

Thursday, March 6, at The Aardvark, Fort Worth

By Jesse Hughey

Published on March 05, 2008 at 10:52am

Judging by the overproduced songs on their Cry to the Beat EP, New York's The Ropes play the kind of polished, electronica-tinged pop rock that 10 years ago would have had them written off as a Garbage clone. But Sharon Shy's strong songwriting may help them avoid becoming the next Republica. A song that starts with "You can all go fuck yourselves/You can all go burn in hell" ("I Don't Like to Get Dirty") certainly grabs my attention, at least, and gets even better as she claims "The only reason I haven't put myself in the ground already/Is I don't like to get dirty." It's the catchiest song about helpless depression I've heard in quite some time. They're scheduled to go on at 9 p.m. and are probably the only act worth catching in this schizophrenic lineup.

I have no idea, though, what they are imagined to have in common with local act Big Red Rooster, which has tried to buy street-cred for its generic rap-rock by hiring Slim Thug to spit a few bars on "How You Like That," then doing everything possible to obscure the fact that he's not in the band.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com