Most Popular

  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • The Man Who Would Be King
    Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
  • Bless Us, Oh Lard
    Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
  • For Whom the Bell Tolls
    Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
  • Sexy Town
    Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Ben Westhoff

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

The N-Word Still Alive and Well in Hip-Hop

Continued from page 1

Published on March 06, 2008

The Reverend Al Sharpton, meanwhile, insists that the title of Nas' album gives power to racists. "We're in an age where they are hanging nooses; they're locking our kids up in Jena and Florida," he told MTV News. "We do not need to be degrading ourselves. We get degraded enough. I think we need artists to lift us up, not lock us down."

To hear Fat Joe tell it, though, both Sharpton and Simmons are being hypocritical. He recounts private, less politically correct encounters with the two. "Russell Simmons says, 'Fat Joe, you my nigga.' Reverend Al Sharpton says, 'Yo, what's up, Fat Joe? You the realest nigga I know.'"

Most black rappers and promoters agree that white folks have no business using the word. With rare exceptions—New York loose cannon R.A. the Rugged Man, for example—most Caucasian rappers stay away from it. But white hip-hop critics often find they don't have any alternative, and they face criticism for quoting the word. In July 2006 on his XXL blog, hip-hop writer Kris Ex—who is black—took issue with Village Voice music critic Tom Breihan, who is white, as someone "who would never say the N-word, but seem[s] to go out of [his] way to quote rap lyrics that use it."

"I was pretty pissed off," Breihan says now. "But I reached out to him, and we talked a bit." For a while, Breihan began substituting the word "ninja" in its place. He quoted lyrics from a Lil Wayne mixtape, for example, as: "And a ninja drink like the late Fred Sanford/And a ninja smoke like there is no cancer."

"I did that instead of using [asterisks or dashes] just because I thought this way was funnier, and it kind of defused the situation," Breihan says. "It draws absurdity to the situation. I'm a white dude writing about rap and, obviously, on a certain cultural level, very much out of my depth."

His readers didn't like it, however, and Breihan recently went back to using "nigga."

Kris Ex is no longer mad at Breihan but says he doesn't have much admiration for Russell Simmons. "I'm severely disappointed with him for jumping on this bandwagon," Ex says. "I think he should have a more nuanced position. Because it's not about the words people are using; it's about the intent behind those words."

Buckshot, a black rapper from the Boot Camp Clik who employs the word in his rhymes, agrees with Ex's sentiments. "Ban the word? No, because the more we entertain it in a negative way, the more it just becomes something to feed off of," he says. "My answer is to move on. We've got much bigger issues than that."

Show All« Previous Page   1   2

Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com