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Green Cement Plants Could Mean Cleaner Air and Lower Costs Economic pressure from local cities helps clean up smoky kilns
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Dashboard Confessional, Fun Fun Fun Fest, Tom Gabel, and The Prophet Bar are Full of Surprises A Dashboard Confessional member actually chose to live in Dallas. Also: Austin's Fun Fun Fun Fest Brings another Spillover, and—Hey—have you seen the Prophet bar's upcoming show calendar?
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National Features >
Riverfront Times
The Pope of Pork
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
The Lost Season
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Border Crossers
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
Deadly Evidence
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Slipknot
All Hope Is Gone (Roadrunner)
By PHIL FREEMAN
Published on September 10, 2008 at 9:20am
Four albums in (five, if you're an eBay-stalking obsessive), Slipknot is having an identity crisis. Frontman Corey Taylor's side project, Stone Sour, has allowed him to unmask his sensitive singer-songwriter side, and that's well-represented here on "Snuff" and "Dead Memories"—the former a half-acoustic ballad, the latter a slab of post-grunge radio rock.
Guitarist Mick Thomson and drummer Joey Jordison, on the other hand, have death-metal dreams; there are double-kick drum explosions and widdly guitar solos all over this record, including some serious whammy-bar abuse on "This Cold Black." The explosive rage of old is now tempered by the wish to mature—no surprise, given that all of Slipknot's member are in their 30s, but potentially alienating to their younger, eternally pissed-off fans.
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