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Adair's

2624 Commerce St.

Dallas, TX

214-939-9900

http://adairssaloon.com

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King Bucks

Date/Time:Sat., July 5, Every week Monday

How To Be A Good Cover Band

Merritt Martin

How To Be A Good Cover Band

If you'd asked two years ago, I would have said that the only reason for a cover band to exist is to make money and watch the crazy shit that goes down at weddings, and that's coming from someone who's been in one. Yeah, I admit it--the Ronnie Dobbs Band could "rock your corporate event" with hits from Coldplay to Heart. We were never meant to write our own material or go any further than holiday parties at local venues. I also got total shit for being in a cover band. It's a stigma. "You don't do any original music?" "Oh God, you have to sing 'Lights' by Journey?!" Looking back now, those were fun times, but the jokes and snarking also turned me into a snob. Tribute nights are one thing, but professional cover bands became a whole new cancer for me. After realizing that in 10 rehearsals or less, one could master a set of covers, I discovered that if a band was simply a cover band all the time the lack of effort would be infuriating. There'd be no satisfaction from an audience loving an original song. You'd simply be a fat cash-earning conduit for blasts from the pasts, and I didn't see any honor in taking listeners back to their days at the skating rink, bellbottoms or the night they lost their virginity. There are DJs for that. All that held until I ran into the King Bucks. Via covers and (gasp!) the occasional original tune, the King Bucks will take you (or me, specifically) back to Dad teaching how to pop a beer top, sitting in Granny's kitchen at that cool metal table and insisting that brown cowboy boots needed to be worn with an Easter dress. Somehow those blasts aren't as offensive when done with reverence for the original musicians such as Buck Owens (hence the name), the Louvin Brothers, the Everly Brothers, Waylon Jennings, Hank Thompson, David Allan Coe, Dylan and the like. As King Buck Chad Stockslager says, "It's not a tribute to a band as much as a style or genre. It's a time-honored sound."

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